Search

The 1248 Thunderbolt audio interface provides industry-leading dynamic range and large console style mixing with 48 channels and 12 stereo busses. With 66 channels of audio I/O (32 ins and 34 outs), the 1248 also supports USB 2.0 audio class compliant connectivity that is USB 3.0 compatible. Powerful DSP delivers 32-bit floating point mixing and effects, including modeled analog EQ, vintage compression and classic reverb. The unit's extensive routing grid patches ins to outs, or splits inputs to multiple destinations. Use the 1248 as a stand-alone mixer and control everything from the 1248's innovative web app running on your iPad, iPhone, tablet, smart phone, and laptop. Connect a second MOTU AVB interface with a simple Ethernet cable. Add more I/O with the MOTU AVB Switch (sold separately). Build an AVB audio network with multiple switches and sub-millisecond latency, even over long cable runs. Stream hundreds of channels among devices and computers on the network. From initial tracking to final mastering, the 1248 delivers superb sound quality, state-of-the-art operation, and reliable performance.

Features:

• Superb audio quality - Exceptional dynamic range (123 dB on analog output) and THD N (-110 dB).
• 66 simultaneous audio channels - 4 mic inputs, 2 guitar inputs, 8x12 balanced analog with dedicated main and monitor outs, ADAT optical and S/PDIF digital (with SRC) for 32 inputs and 34 outputs.
• Universal connectivity - Thunderbolt or high-speed USB 2.0 (compatible with USB 3.0). USB audio class-compliant firmware and Industry standard drivers work with any audio software.
• On-board 32-bit floating point DSP with large console style mixing and effects - Flexible 48-input digital mixer with 12 stereo busses and DSP effects, including reverb with sends, plus modeled analog EQ and compression, gate, and reverb.
• System expansion and audio networking - Add a 2nd MOTU interface with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network.
• Matrix routing and splitting - Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations.
• Web app control - Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network.
• Stand-alone mixing with wireless control - Connect an Apple Airport or other Wi-Fi router directly to the 1248 with a standard Ethernet cable and control the 1248's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing.

Specifications:

• Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
• Analog inputs 4 x XLR mic inputs
• 2 x 1/4" hi-Z guitar inputs (front panel)
• 8 x 1/4" TRS line inputs (balanced/unbalanced)
• Analog outputs 12 x 1/4" TRS line out (balanced)
• 2 x 1/4" TRS stereo headphone
• Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates
• 1 bank (8 ch) of SMUX optical at 2x sample rates
• Stereo RCA S/PDIF up to 96 kHz (with SRC on input)
• Total I/O 32 inputs and 34 outputs (66 total) at 1x sample rates
• 24 inputs and 26 outputs (50 total) at 2x sample rates
• 14 inputs and 16 outputs (30 total) at 4x sample rates
• Computer I/O 1 x Thunderbolt (compatible with 1 and 2)
• 1 x USB 2.0 audio class compliant (3.0 compatible)
• Sync I/O 1 x word clock in
• 1 x word clock out
• Headphone 2 x 1/4" TRS stereo phone (assignable)
• Phantom power 4 x individual 48V
• Front panel 2 x 1/4" TRS headphone output
• 2 x TRS hi-Z guitar input
• 2 x digital rotary encoders main/monitor volume
• 2 x digital rotary encoders phone volume
• 2 x digital rotary encoders guitar input gain
• 4 x digital rotary encoders mic preamp gain
• 8 x switches (4) Pad and (4) 48V Phantom switch
• 324 x 24 pixel LCD for level meters / menu nav
• 1 x AC power switch
• Power International 100-240V autoswitching supply
• 50-60 Hz 0.5A max

One Mic... From Start To Finish.
Professional sounding recordings shouldn't require an advanced degree in engineering. In your home studio or recording on the road, the Samson SAGM1UPRO G-Track Pro allows you to focus on your recording and less on the process. G-Track Pro is a USB microphone with an instrument input and mixer for recording two independent audio channels at one time. With the ability to capture your audio at 24-bit/96kHz, your recordings will deliver extremely detailed, high-resolution results. With plug-and-play connectivity and a straightforward design, G-Track Pro is the right choice for musicians, podcasters or streamers.

It's A Mic
Dual 1" (25mm) large-diaphragm condenser capsule captures the detail and nuance of your voice or instrument. Offering three selectable pickup patters (cardioid, omnidirectional and birdirectional), G-Track Pro provides the flexibility for any project. The front panel Mic gain control, so you always get the best signal level no matter where the mic is placed.

It's An Audio Interface
G-Track Pro includes a standard 1/4" instrument input for recording bass, guitar, keyboard and other line level devices. Singer/songwriters can quickly capture vocal and instrument performances simultaneously or podcasters can add a sub-mixer to record additional hosts and guests. A Mono / 2-Track switch allows you to record the mic and instrument on the same tracks for streaming content or on separate tracks for post production editing.

And It's A Mixer
G-Track pro includes a full-featured mixer with independent controls for the Mic and Instrument volume controls to optimize your mix. The 1/8" stereo output and high-quality headphone amplifier provides zero-latency playback complete with direct monitoring mix controls. It also features a Mute button that silences the input signals when needed, which is ideal for podcasters and gamers.

Out-standing!
G-Track Pro's heavy-duty, die-cast desktop base features permanent-grip hinges that hold the mic securely in place once you've selected an optimal recording position.

Features:

• All-in-one professional USB microphone with audio interface
• Ideal for podcasting, gaming/streaming and recording music
• Dual 1" (25mm) condenser capsule
• Cardioid (unidirectional), bidirectional and omnidirectional pickup patterns
• Smooth, flat frequency response of 50Hz-20kHz
• 24-bit, 96kHz resolution
• USB output for connecting to any Mac or PC device
• 1/4" instrument input for connecting guitars or line level devices
• Record Mic and Instrument input simultaneously
• 1/8" stereo headphone output with level control for zero-latency monitoring
• 3-color Power/Clip/Mute LED
• Plug-and-play, no driver installation required
• Compatible with most computer-based digital audio workstation software
• Die-cast zinc construction with heavy gauge mesh grille
• Integrated desktop base

Specifications:

• Polar Pattern: Cardioid (unidirectional), bidirectional, omnidirectional
• Capsule: Dual back electret condenser
• Diaphragm Width/Thickness: 25mm/3 microns
• Frequency Response: 50Hz-20kHz
• Sensitivity: +6dB FS/PA (all polar patterns)
• Max. SPL: 120dB SPL
• Bit Depth: 16 or 24-bit
• Sample Rate: Up to 96kHz
• Digital Output: USB
• Headphone Output: 1/8" (3.5mm)
• Headphone Impedance: 16Ω
• Headphone Power Output: 85mW @ 32Ω
• Instrument Input: 1/4"
• Instrument Input Impedance: 1MΩ
• Controls: Mute, Mic/Instrument/Headphone Volume, Monitor On/Off, Mono/2 Track
• Product Dimensions: 4.5" (116mm) x 10.5" (268.5mm) diameter
• Product Weight: 3.52lb (1.6kg)

Item Includes:

• 1x Samson SAGM1UPRO USB 24-Bit Professional USB Microphone with Audio Interface - 50Hz-20kHz

Model JG-8X steel grille with beveled edges and white finish includes a separate sub-plate that direct-mounts an 8-inch speaker and enclosure. The direct-mount method allows a high quality 8-inch speaker with a substantial motor structure weight to be supported by the enclosure instead of the grille.

Specifications

• Style:  Screw-mount
• Material:  20-gauge beveled frame with radius corner cutout and welded 22-gauge perforated steel screen, 21-gauge steel subplate
• Finish:  White grille, black subplate
• Size:  12.375 in. square
• Mounting Projection:  0.375 in.
• Mounting Provisions:  4 screws (white), subplate w/4 screws

Certification and Compliance

• Made in the U.S.A.
• Certified U.S. steel

A&E Specifications

The JG-8X square speaker grille for the 8 inch driver shall be Lowell Model JG-8X. It shall be 20-gauge steel frame with a beveled edge, radius corner cutout and 22-gauge welded perforated screen center. The grille shall include a 21-gauge steel subplate and mounting hardware. The grille shall be 12.375 in. square with a mounting projection of 0.375 in. The subplate shall include provisions for mounting an 8 in. driver and for mounting the speaker/adapter assembly to specified recessed or surface backbox. The subplate shall be finished in black powder epoxy. The grille shall be finished in white powder epoxy and shall mount to the specified backbox using four 8-32 x .375 in. white screws.

Specifications

• Style:  Screw-mount
• Material:  Precision formed single piece of 20-gauge steel reinforced with 60-degree peripheral flange, perforated center, contoured edge
• Finish:  White
• Size:  12.875 in. diameter
• Mounting Projection:  0.25 in. mounting projection
• Mounting Provisions:  4 screws (white), welded studs w/nuts

Certification and Compliance

• Made in the U.S.A.
• Certified U.S. steel

A&E Specifications

The contoured speaker grille for 8 inch speakers shall be Lowell Model WB-8. It shall be fabricated one-piece 20-gauge steel reinforced with a peripheral flange of 60-degrees. The grille diameter shall be 12.875 inch with a shallow mounting projection of 0.25 in. Each grille shall have four 0.25 in. holes spaced at 90-degree intervals on an 11.25 in. bolt circle for mounting grille to specified backbox or mounting ring. It shall be finished in white powder epoxy coating and include white screws for backbox mounting and welded studs for mounting specified 8 in. speaker.

15W paging horn or double re-entrant horn with high efficiency 15W compression driver for clear voice paging and tone signaling in indoor or outdoor applications is ideal for use where a weather-resistant horn is specified for public address/signaling applications that require high intelligibility (e.g. schools, recreational facilities, warehouses, distribution centers, parking facilities, commercial buildings).

Assembly Includes

• Driver:  15W compression
• Transformer:  For 25V, 70V or 100V systems. Screwdriver-adjustable tap selector and screw terminal connections in rear. Integral strain relief and plastic cover.
• Housing:  Weather-resistant assembly suitable for indoor or outdoor use is all-metal construction with durable beige epoxy finish. Two-wire hook-up to rear access screw terminals. 8.94 in. diameter x 9.38 in. deep.
• Mounting Aids:  Universal swivel mounting bracket (2.875 in. dia. base)
• Operating Temperature Range: -40 to 158 degrees F
• Average Sensitivity (1W/1M): 112.2dB
• Ships ready for installation

Compliance and Certification

• RoHS
• IP66 rated (IEC 60529) for water/dust-resistance when optional wiring compartment cover is added (see Related Products tab)

A&E Specifications

The horn shall be Lowell Model LH-15TA, which shall be a double reentrant design with a high efficiency 15W compression driver, round bell and universal swivel-style base. Power rating shall be 15 watts continuous. Frequency response shall be 537Hz-4.5kHz (±6dB) with a sensitivity of 112.2dB log average (1W/1M) 124.0dB maximum SPL (calculated based on power rating and measured sensitivity). Dispersion shall be 50 degrees conical (2kHz Octave Band). Impedance shall be 5000, 2500, 1300, 670, 330, 90, 45 ohms. Horn shall include a 25/70/100V transformer with screwdriver selectable taps. Taps for 25V use shall be: .13, .25, .48, .93, 1.9, 6.9, and 13.9W. Taps for 70V use shall be: 1, 2, 3.8, 7.5, and 15W. Taps for 100V use shall be: 2, 4, 7.7 and 15W. Transformer connections shall be protected by a plastic cover with strain relief. The horn assembly shall measure 8.94 in. dia. x 9.38 in. deep and shall be weather-resistant metal construction painted in corrosion-resistant beige epoxy.

The BX-41S is a Surface Mount Backbox for the MW-41BT Audio Interface. It is designed to mount directly to a wall in indoor or in mild wet environments when sealed correctly. It uses a key lock mechanism for opening and securing the door.

The BX-41F is a Flush Mount Backbox for the MW-41BT Audio Interface. It is designed to mount to a 2-gang box in indoor or in mild wet environments when sealed correctly. It uses a key lock mechanism for opening and securing the door.

MW-41BT is TOA’s second generation of audio input panels. It is equipped with Microphone, Aux (3.5mm), USB and Bluetooth inputs, and one Mono balanced output. The in-wall design and elegant appearance make it ideal for saving space and integration to various facilities. The microphone input has the highest priority over the other inputs. Any active input will be ducked by 20dB once a microphone signal is detected. The panel fits in a standard 2-Gang Electrical box (not included), and it requires a power supply (included).

The N-8000AF provides either an analog audio input/output bridge to the N-8000 system, a bell schedule generator with internal tones, or record functionality for archival purposes. It can also function as the system master clock, with sync to contact closure or NTP server as required. When used as an analog audio bridge to the N-8000 intercom system, it accepts one mic or line level input which can be broadcast to any paging zone or station on the system. One line-level output is provided, with eight contact closure inputs and eight contact closure outputs. Contact closures may be synchronized with a paging event. When used as a bell schedule generator, the N-8000AF provides 16 schedules with 64 events per schedule. Five internal tones are available, with the option to trigger up to four external paging sources. When used as for recording it provides an analog audio output and contact closure control for external recording devices to record pages, announcements, and conversations. Rack mount kit not included. Use TOA MB-15B-BK (one unit per rack space) or MB-15B-J (two units per rack space).

Description

Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

SpeedThe M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

MeteringWhen recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

LoopbackThe M4 driver provides convenient loopback channels to your host computer, so you can easily combine computer audio with live mics and/or guitar inputs to stream the combined mix to Youtube or your favorite podcasting platform in real time. Streaming and podcasting has never been easier and better-sounding!

Features

• ESS Sabre32 Ultra™ DAC technology for superb analog sound
• The same converter technology used in audio interfaces costing thousands
• Measured 120 dB dynamic range on outputs
• Measured -129 dBu EIN on mic inputs
• ESS-driven headphone output

Specifications

• Technical Specifications
  • Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • Mic/Line/Guitar: 2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs
    Independent preamp gain, 48V phantom power and monitor switch for each input
  • Analog Inputs: 2x 1/4" line in
  • Analog Outputs:
    4x 1/4" TRS line out (balanced, DC coupled)
    4x RCA (unbalanced) analog out (mirrored)
    1x 1/4" TRS stereo headphone
  • Computer I/O: 1x USB-C (compatible with USB Type A) 2.0 audio class compliant
  • MIDI I/O:
    /1x MIDI IN
    1x MIDI OUT
    16 MIDI channels to/from computer host
  • Headphone: 1x 1/4" TRS stereo phone
  • Phantom Power: 2x individual +48V
  • Front Panel:
    1x 1/4" TRS headphone output
    2x XLR/TRS combo inputs
    1x Potentiometer: monitor vol
    1x Potentiometer: phone vol
    1x Potentiometer: input monitor mix
    2x Potentiometer: mic/line/guitar input gain
    5x Switches: (2) 48V, (2) MON and (1) 3-4
    160x 120 pixel full-colored LCD with input and output level meters
  • Power: Bus-powered through USB
  • Dimensions (WxHxD, enclosure only): 8.25 x 4.25 x 1.75" (20.955 x 10.8 x 4.5cm)
  • Weight: 1.55Lbs (0.7kg)
• System Requirements
  • Mac System Requirements:
    1 GHz Intel-based Mac or faster
    2 GB RAM; 4 GB or more recommended
    macOS version 10.11 or later
    Available USB port
    A large hard drive (at least 500 GB for recording)
  • Windows System Requirements:
    1 GHz Pentium-based PC compatible or faster
    2 GB RAM; 4 GB or more recommended
    Windows 7, 8 or 10
    Available USB port
    A large hard drive (at least 500 GB for recording)
  • Class-Compliant Support:
    USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)
  • Included Software:
    MOTU Performer Lite
    Ableton Live 10 Lite
    6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU
  • Operating Systems: macOS 10.11 or later; Windows 7 or later
• Analog I/O
  • Line Output: 1/4" TRS, balanced, tip hot, 120dB, -110dB, +16dBu
  • Line Input: 1/4" TRS, bal/unbal, tip hot, 115dB, -106dB, +18dBu (at minimum gain)
  • Mic input: XLR, balanced, pin 2 hot, 115dB, -129dBu EIN, +10dBu (at minimum gain)
  • Phones: 1/4", TRS stereo, 115dB, -110dB, +12.5dBu

Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

Metering
When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

Loopback
The M2 driver provides convenient loopback channels to your host computer, so you can easily combine computer audio with live mics and/or guitar inputs to stream the combined mix to Youtube or your favorite podcasting platform in real time. Streaming and podcasting has never been easier and better-sounding!

Features:

• ESS Sabre32 Ultra™ DAC technology for superb analog sound
• The same converter technology used in audio interfaces costing thousands
• Measured 120 dB dynamic range on the outputs
• Measured -129 dBu EIN on mic inputs
• ESS-driven headphone output

Specifications:

• Technical Specifications
• Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
• Mic/Line/Guitar Inputs:
  2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs
  Independent preamp gain, 48V phantom power and monitor switch for each input
• Analog Outputs:
  2x 1/4" TRS line out (balanced, DC coupled)
  2x RCA (unbalanced) analog out (mirrored)
  1x 1/4" TRS stereo headphone
• Computer I/O: 1 x USB-C (compatible with USB Type A) 2.0 audio class compliant
• MIDI I/O:
  1x MIDI IN
  1x MIDI OUT
  16 MIDI channels to/from computer host
  Headphone: 1x 1/4" TRS stereo phone
  Phantom Power: 2x individual +48V
• Front Panel:
  1x 1/4" TRS headphone output
  2x XLR/TRS combo inputs
  1x potentiometer - monitor vol
  1x potentiometer - phone vol
  2x potentiometer - mic/instr input gain
  4x switches - (2) 48V and (2) MON
  160x 120 pixel full-colored LCD with input and output level meters
• Power: Bus-powered through USB
• Dimensions (WxDxH, enclosure only): 7.5 x 4.25 x 1.75" (19.05 x 10.8 x 4.5cm)
• Weight: 1.35Lbs (0.61kg)
  
  System Requirements
• Mac System Requirements:
  1 GHz Intel-based Mac or faster
  2 GB RAM; 4 GB or more recommended
  macOS version 10.11 or later
  Available USB port
  A large hard drive (at least 500 GB for recording)
• Windows System Requirements:
  1 GHz Pentium-based PC compatible or faster
  2 GB RAM; 4 GB or more recommended
  Windows 7, 8 or 10
  Available USB port
  A large hard drive (at least 500 GB for recording)
• Class-Compliant Support: USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)
• Included Software: MOTU Performer Lite, Ableton Live 10 Lite, 6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU
• Operating Systems: macOS 10.11 or later; Windows 7 or later
  
  Analog I/O
• Line Output: 1/4" TRS, balanced, tip hot 120dB, -110dB, +16dBu
• Mic Input: XLR, balanced, pin 2 hot, 115dB, -129dBu EIN, +10dBu (at minimum gain)
• Phones: 1/4", TRS stereo 115dB, -110dB, +12.5dBu

The Datavideo SE-500HD a multi-format live event AV switcher with scaling on every input, built-in audio mixer, and exceptional 4:4:4 10-bit 1080p video quality. Its portable & compact design with easy-to-use professional features makes it ideal for breakout rooms, corporate events, and any live event production. Four scaled HDMI inputs and two HDMI outputs allow users to mix and match video resolutions and connect a variety of video sources that include laptops, tablets, and cameras without the need for video converters.

Don't let the SE-500HD fool you with its compact size and affordable price. It is loaded with features such as Lumakey for graphic overlays, split screen for side by side views of the presenters, and PIP (picture-in-picture) for PowerPoint presentations. Plug in microphones and other audio sources directly into the SE-500HD and use the built-in audio mixer to simplify your workflow and get professional sound. Dedicated buttons make it user friendly and easy for anyone to operate it like a pro. Professional features, compact all-in-one design and affordable price point makes the SE-500HD ideal for any live presentation.

Features:

• 4 Channel HD/SD Digital Video Switcher
• Supports up to Full HD 1080p
• 10-bit processing
• Video Input: 4x HDMI
• Video Output: 2x HDMI (1x Multiview | 1x Program)
• Audio Input: 1x Stereo RCA | 2x Microphone
• Audio Output: 1x Stereo RCA | 1x Stereo headphone mini Jack
• Audio Mixer: 2x Mic | 1x Stereo RCA | 1x internal Digital embedded
• Audio LED Meter
• Transitions: Wipe, Mix & Cut
• Keyer: Lumakey
• Picture-in-picture and split functions
• Tally Output

Specifications:

• Video Standard: Full HD & SD
• Video Format: 1080p 50/59.94/60Hz; 1080i 50/59.94/60Hz; 720p 50/59.94/60Hz; 576i 50Hz; 480i 59.94Hz
• Video Processing HDMI: YUV 4:4:4 10 bit, RGB: 4:4:4
• Video Input: 4x HDMI
• Computer Graphic Interface: 4 via HDMI
• Video output: 2x HDMI (1 is MV, 1 is PGM)
• Built-in Multi-view monitoring out: HDMI
• Audio input: 1x Stereo RCA (L/R); 2x Mono Microphone; De-embedded Digital Audio (2 CH)
• Audio output: 1x Stereo RCA (L/R); 1x Stereo headphone (Mini Jack with volume control); Embedded Digital Audio (2 CH)
• Embedded audio support: embedded 2-CH digital/analogue audio
• Effects: FTB, Cut, Wipe with border
• Sync / Reference In/Out: Built-in Genlock (internal)
• Tally Output: 1x D-sub 15pin, dual color
• Chassis: Unibody
• Power: DC 12V 29W
• Accessory: CB-60/61/62 (30/50/100m)

Item Includes:

• 1x SE-500HD product
• 1x AD Switch DC 12V with AC Cord
• 1x Thank You Card

Kramer’s C−2RAM/2RAM is a high quality dual RCA cable assembly designed for stereo audio signals. It is perfect for audio connection of DVD players, VCRs, and other consumer style devices that are routinely used in professional AV systems.

• Quality Construction — Constructed using 2 coaxial conductors for L/R audio signals terminated with male RCA connectors on both ends.
• Precision Connectors — Gold–plated RCA connectors are featured for the best possible signal transmission without corrosion.